Demi Lovato Here We Go Again Itunes
| Hither We Go Once more | ||||
|---|---|---|---|---|
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| Studio anthology by Demi Lovato | ||||
| Released | July 21, 2009 (2009-07-21) | |||
| Recorded | Feb–April 2009 | |||
| Genre | Pop rock[i] | |||
| Length | 46:fifty | |||
| Characterization | Hollywood | |||
| Producer |
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| Demi Lovato chronology | ||||
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| Singles from Here Nosotros Go Again | ||||
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Here We Go Again is the 2nd studio album by American vocalizer Demi Lovato. Information technology was released on July 21, 2009, through Hollywood Records. Dissimilar their previous album, Don't Forget (2008), Lovato did not collaborate with the Jonas Brothers, as they wanted to work with dissimilar people and give the album a personal approach. Lovato collaborated for the album with established songwriters and producers, such as E. Kidd Bogart, Gary Clark, Toby Gad, John Mayer, Jon McLaughlin, Lindy Robbins and John Fields, who produced their previous album Don't Forget.
Hither We Go Again derives mainly from the popular rock genre,[2] mixed with influences of power popular, jazz-pop, soul and pop.[iii] [iv] Lovato described the album as more than "relaxed" than their previous album, while exploring more mature sounds and lyrics. Disquisitional reception of the album was positive; critics praised Lovato for non relying on vocal manipulations and instead showing off their natural ability. Although some critics called the album tricky, others felt that information technology was predictable and at times also much alike Kelly Clarkson. In the United States, the album debuted at number one on the Billboard 200 selling 108,000 copies during its starting time calendar week of release, condign the eighth solo artist to chart on the Billboard 200 under the age of 18.[5] Since its release, the album has sold over 500,000 copies in the US, and has been certified Gilded by the RIAA.[6] Internationally, the anthology peaked within the summit 40 on charts in Australia, Brazil, Canada, Greece, United mexican states, New Zealand and Spain. It was certified platinum in Brazil.
"Hither We Go Again" was released as the lead unmarried from the album on June 23, 2009, and was Lovato's first solo single to attain the summit 20 on the Billboard Hot 100, peaking at number 15, and has been certified platinum past RIAA. "Retrieve December" was the 2nd and terminal single only in Europe on January eighteen, 2010. To promote the album and their debut effort, Lovato embarked on their first concert tour, entitled Demi Lovato: Live in Concert.
Background [edit]
Lovato was discovered by the Disney Channel during an open call audition in their hometown of Dallas, Texas and made their debut on the curt series As the Bell Rings in 2007.[seven] They subsequently auditioned for a role on the television series Jonas, but did not get the part.[7] Instead, they received the master role in the television pic Campsite Stone after singing for the network executives.[7] Later, they auditioned for a role on the series Sonny with a Gamble, which they also received.[viii] Lovato enlisted the Jonas Brothers, their Military camp Rock co-stars, to work with them on their debut studio album, Don't Forget (2008).[ citation needed ] The writing began during filming of Camp Stone in 2007 and continued on the band'southward Wait Me in the Eyes Tour in 2008.[8] [9] Lovato wanted to establish themselves every bit a musician with the album, and not being known as just "the person from Army camp Rock."[8] They said that their goal was to have fun on the album and that they would tackle deeper themes on their sophomore effort.[10]
The anthology was released in September 2008 and debuted at number two on the Billboard 200 chart.[eleven] Lovato recalled the experience, "It was similar, O.K., you've done it. You lot're no longer just succeeding considering y'all're in a movie with the Jonas Brothers. These people bought your music for you."[7] Later in February 2009, Lovato's showtime headlining sitcom, Sonny with a Gamble, premiered on Disney Channel.[7] Don't Forget was certified Gold by the Recording Industry Clan of America (RIAA)[12] and spawned 3 singles, "Go Back", "La La Country", and its title rail "Don't Forget".[vii] In January 2009, Lovato announced to MTV News that they had already begun writing songs for their second studio album, as well as revealing its approach: "It's going to take a different audio, so hopefully it goes over well. I sing a lot of rock, merely this fourth dimension I want to practice more John Mayer-ish type of songs. Hopefully I can write with people like him. I love his music — it would be amazing."[13]
Development [edit]
In February 2009, Lovato started to work on and tape their 2nd anthology, right subsequently filming the kickoff season of Sonny with a Chance. In April 2009, Lovato explained almost the anthology's process and collaborating with songwriters from the album including Jon McLaughlin and The Academy Is... lead vocaliser William Beckett.[14] Co-ordinate to Lovato, the album's writing process was nearly finished in but two weeks, noting that they "basically went from total time interim way to full time album mode".[xiv] As they wanted to achieve more "John Mayer-ish type of songs",[13] they contacted Mayer'southward direction in society to collaborate with him, citing him as one of their biggest musical influences.[15] Mayer accepted the offering, of which Lovato said, "I was completely shocked [that he said aye]. Information technology was more than of a pipe dream. I didn't e'er recollect it would be a reality, only it came true. He was taking a chance on working with a younger artist in the pop realm."[xv] The two wrote three songs together, "World of Chances", "Honey is the Reply" and "Close Upwards and Love Me".[15] [16] Lovato said that information technology was intimidating to work with him as they were worried that he would not like their lyrics, and they would become "super excited" whenever he complimented them.[17] "Globe of Chances", the first song Lovato and Mayer wrote, was the only of these songs to brand the album's final cutting.[16] The vocal was inspired by Lovato's first experience of beloved and heartbreak.[18]
Lovato collaborated with Beckett on a song titled "For the Love of a Daughter". Although not planning to write a personal song, a "really long talk" with Beckett resulted in the song being written.[xvi] The vocal chronicles Lovato's relationship with their estranged nascence father, who left the family unit when they were two years sometime.[15] In the song, they plead with their father to "put the bottle downwards" and questions him: "How could you put your easily on the ones that you lot swore you loved?"[19] The song was fix to announced on the album, simply Lovato and their direction felt of the song's subject would exist as well much for their young audience and later was removed from the album.[vii] [xviii] In an interview with Women'due south Wear Daily, they explained: "When I took a footstep back, I realized I wouldn't like those subjects being talked about in somebody else'southward home, with a seven-twelvemonth-old and their mom."[18] Several other "emotional" songs were besides put on concord.[18] The song later appeared on their 3rd studio album Unbroken released in September 2011, when Lovato had left Disney Channel.[19]
Unlike their beginning studio anthology, Don't Forget, Lovato did not collaborate with the Jonas Brothers on Here We Go Again as they wanted to see what their audio would be similar without their input.[fifteen] "They were the only people I'd ever written with. In one case I wrote with different people, I wanted to go with that", they told the New York Daily News.[xv] They said that their first anthology was "very Jonas" and that Here Nosotros Go Again is "a little bit more like what'south coming from my centre. Information technology's more me."[8] However, Lovato did piece of work with Nick Jonas on the song "Stop the World".[16] The bulk of the album was produced by John Fields, who likewise handled production on Don't Forget.[seven] Other tracks were produced by SuperSpy, Gary Clark, Andy Dodd and Adam Watts.[twenty] "Take hold of Me" is the just song on the anthology for which Lovato received sole writing credit.[7] In an interview with The New York Times, they revealed that they wrote it in their room and that it means more to them than the rest of the album.[7]
Limerick [edit]
American pop stone singer Jon McLaughlin (pictured) was one of the many collaborators worked on the album.
Here We Go Once again explores more mature sounds than Don't Forget,[26] with Lovato describing the project as "more relaxed and more mature" with a "soulful border".[eighteen] The lyrics are more personal than on their debut anthology as most of it was inspired by their experiences of love and heartbreak.[18] They stated that the album does not concord a particular theme as they wanted the songs to be "just more mature, more than of me".[17] The album derives mainly from the genre of pop rock.[2] Speaking to New York Daily News, Lovato said that the album's musical style includes "less rock and more mellow stuff", with a twist of R&B.[xv] "Hither Nosotros Get Again" is the first track of the album was written and produced by SuperSpy. The lyrics of the song chronicle Lovato's on-off relationship with an indecisive boy, singing that "Something about you lot is then addictive".[21] "Solo", the 2d track, was co-written past Lovato and produced by John Fields. The track is a breakup song with lyrics well-nigh self-respect.[21] "U Got Nothin' on Me", another SuperSpy production, includes influences of 1980s glam metallic, in this song, Lovato reminisces a summer romance that took a tumble which takes a toll on their relationship, but in the stop, they realize they're fine on their ain.[26]
"Falling Over Me" was co-written past Lovato and Jon McLaughlin and produced by Fields. The vocal features a "hypnotic" bassline and lyrics about Lovato praying that their crush will notice their amore: "I'm hoping, I'm waiting, I'one thousand praying you are the i".[21] [26] Co-ordinate to Margaret Wappler of Los Angeles Times, Lovato'southward vocals in the song remainder "effeminateness and forcefulness".[27] On the 5th track, "Quiet", Lovato longs for a "communication quantum" in an awkward human relationship, complaining that "It's as well tranquillity in here".[21] [22] "Catch Me" is an audio-visual ballad with a stripped-down production, written by Lovato themselves.[28] The vocal speaks of an unhealthy love connection, with Lovato going on even though they know "how badly this will hurt me".[21] The seventh rail, "Every Fourth dimension You Lie", is a vocal with jazz influences and a "jaunty '70s vibe".[3] [26] Kerri Stonemason of Billboard commented that the song "swings like Maroon 5's make of radio soul". The vocal tells about self-respect and not putting up with lies in a relationship.[28] "Got Dynamite" was written by Gary Clark, E. Kidd Bogart and Victoria Horn and produced by Clark. The vocal features "ricocheting" synthesizers and a handful popular punk riff.[1] The lyrics utilize "violent metaphors" as invitations for a boy to "accident up" Lovato's defenses, with lines such as "Log in and try to hack me" and "Boot senseless, my defenses".[21]
The 9th track, "End the Earth", was co-written by Lovato and Nick Jonas nigh falling in beloved with someone, merely "people don't want you to".[16] The song includes a reference to the infamous criminal couple Bonnie and Clyde: "Like Bonnie and Clyde, permit's discover a ride."[21] Lovato wrote the album's tenth runway, "World of Chances", with John Mayer. Co-ordinate to Allison Stewart of The Washington Post, the ballad showcases the "rough grain" of Lovato'due south voice. The vocal tells about a girl giving a boy she loves chances to fix their relationship merely keeps messing up.[23] "Remember December" diverges from Lovato's usual popular rock sound into more prominent power pop and synthpop with "a chip of techno".[three] [25] [29] In the song, they reminisce a winter romance: "I think usa together / With a promise of forever."[1] [25] The twelfth and final track "Everything You're Not" was co-written past Toby Gad, Lindy Robbins and Lovato. The lyrics chronicle cocky-respect as Lovato sings "I desire a gentleman who treats me like a queen/I need respect, I need honey/Aught in betwixt."[21] The starting time bonus track of the anthology, "Souvenir of a Friend", was co-written and produced by Adam Watts and Andy Dodd. The song is about not being able to "pursue our aspirations or deal with disappointments" without friends.[21] The 2d bonus track, "Then Far, So Great", was written and produced by Aris Archontis, Jeannie Lurie and Chen Neeman and served as the theme song of Sonny with a Chance.[three] The "stomping" power pop vocal is about chasing your dreams.[3] [21]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 65/100[30] |
| Review scores | |
| Source | Rating |
| Allmusic |    [3] |
| The Arizona Republic | [31] |
| Billboard | favorable[28] |
| The Buffalo News | [32] |
| Amusement Weekly | B−[22] |
| Houston Chronicle | [26] |
| Los Angeles Times | [27] |
| PopMatters | 5/ten[one] |
| Rolling Stone | [33] |
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 65, based on six reviews, indicating "generally favorable reviews."[thirty] Margaret Wappler of Los Angeles Times rated the album three stars out of five and noted the Kelly Clarkson influences, writing that "For the bulk of the album, Lovato channels a witty, pouty ingenue in high heels who's not agape to call the shots, especially subsequently a skillful cry."[27] Rating the album three and a half stars, Stephen Thomas Erlewine of Allmusic noted the album's "mature veneer" and the "subtle shift cached underneath the relentlessly cheerful Radio Disney production and Lovato's irrepressible spunk", writing that "Both sonic characteristics tend to camouflage Demi'south biggest moves away from teen popular."[three] Erlewine called the anthology "Non quite as much fun [every bit Don't Forget], but still fun".[three] The Arizona Republic critic Ed Masley gave the album three and a half stars and recommended information technology for power pop fans.[31]
Entertainment Weekly 's Simon Vozick-Levinson graded the album B− and praised the "hard-edged" tracks such equally "Got Dynamite", calling them suggestions of "a management that might set [them] apart in years to come".[22] Houston Chronicle critic Joey Guerra rated the anthology three stars and wrote: "Despite the Disney machine'south presence, Here We Go Once more doesn't rely too heavily on 'tween trends, instead relying on Lovato's penchant for rock-drama and teaming [them] with a slew of older, established acts."[26] Kerri Mason of Billboard praised the album for not relying heavily on production and Auto-Tune, calling Lovato "a natural talent who could actually accept flight afterward outgrowing Disney".[28] Mason wrote that the anthology includes "quiet surprises" and potential hits, particularly praising the title track and "Grab Me".[28] Jeff Miers from The Buffalo News rated Here We Go Again two and a half stars out of four, writing: "Different and then many of [their] Disney-fied peers, Lovato can really sing, and part of what makes [their] sophomore effort highly-seasoned is the lack of in-studio vocal manipulation."[32] Miers wrote that it is "refreshing" that Lovato does not need Auto-Melody "to mask whatever lack of natural power".[32] He concluded by calling the album "safe and pretty predictable, but likewise incredibly catchy".[32]
Allison Stewart of The Washington Mail referred the album to equally a "smart, bristly, busy sophomore disc", writing that "As well much of it apes Avril Lavigne, with the standard shouted choruses and hiccupped verses that are beginning to sound very '03."[23] Stewart named "Every Time You lot Lie" and "Earth of Chances" as "management signs pointing to a much more interesting career".[23] Awarding the anthology v out of ten points, Cody Miller of PopMatters was mixed in his review and said that Lovato "desperately wants to be Kelly Clarkson", writing "Lovato can't work miracles with mediocre pop songs like Clarkson, but the young singer-actress has a bigger range than any of [their] contemporaries, and a better sense of on-record charisma."[i] Miller was mixed regarding anthology's content, proverb that "at that place'due south goose egg that actually separates the tracks from each other. Most of the album'southward up-tempo numbers just blend together."[1] He ended his review: "Here We Go Again isn't perfect by whatever ways, and when compared to someone like Clarkson or Pink, it's obvious the young singer has lots of work alee of [them] if [they want] to truly cement [themselves] as a serious, feasible pop/rock creative person outside of the Disney mold. But given the context, Here We Go Again is certainly enjoyable to some scale."[i] Rolling Stone gave the anthology 3 stars out of five, proverb "Lovato has chops and spunk akin to a swain Texas pop singer, though [their] voice doesn't churn with Kelly Clarkson's gutsy heart yet."[33]
Commercial performance [edit]
Lovato performing "Catch Me" during A Special Dark with Demi Lovato
In the United states, Here Nosotros Go Again debuted at number 1 on the Billboard 200 chart with 108,000 copies sold in its start calendar week.[34] The figure was an improvement over the offset-calendar week sales of Don't Forget, which moved 89,000 copies.[34] The feat made Here We Go Once again the fourth anthology of 2009 nether the Disney Music Group to meridian at number 1.[34] In its 2nd week, the anthology fell to number eight with 39,000 copies sold.[35] At the stop of 2009, the album ranked at number 109 on Billboard 'due south twelvemonth-end nautical chart.[36] As of July 2014, the anthology has sold 496,000 copies in the Usa according to Billboard.[37]
In Canada, the album entered the Canadian Albums Chart at number five,[38] and stayed on the nautical chart for five weeks.[39]
In Australia, the album spent ane calendar week at number xl on the ARIA Albums Chart.[40] In New Zealand, information technology debuted at number ten and spent a total of nine weeks on the chart.[41] In Mexico, Here We Get Once more debuted at number 45 on the Top 100 United mexican states chart and reached its peak position of 25 in its second week.[42] Across Europe, the album debuted at number 36 in Greece and later on reached number five.[43] In Spain, the anthology spent 13 weeks on the chart and peaked at number 35.[44] In early 2010, Hither We Go Again fabricated its debut at number 199 on the U.k. Albums Nautical chart,[45] and number 141 on the Oricon albums chart in Japan.[46] In October 2011, the album debuted and peaked at number 88 on the Ultratop chart in the Flanders region of Kingdom of belgium.[47]
Promotion [edit]
Lovato performing the title track during A Special Dark with Demi Lovato
Radio Disney presented the world premiere of Here We Go Once more on July 18, 2009, during the programming Planet Premiere, where Lovato was interviewed by host Ernest "Ernie D" Martinez.[48] The anthology was replayed on the station the adjacent day, and bachelor for streaming on Radio Disney's website from July eighteen through July 24, 2009.[48] On July 17, 2009, Lovato appeared on The Tonight Prove with Conan O'Brien to perform the album'south title rail.[49] On July 23, they performed the single alongside the album cut "Grab Me" on Good Morning America, while performing the single simply on Late Night with Jimmy Fallon and The View later the same day.[l] [51] To promote the album's UK release, Lovato appeared on radio BBC Switch and logged into Habbo Hotel to conversation with their British fans in January 2010.[52] They subsequently performed "Think December" on The Alan Titchmarsh Evidence on Jan 29, 2010.[52] They were likewise interviewed on British television programs such as Blue Peter, Daily Fix Chart Show, Live from Studio 5, Freshly Squeezed and T4.[52]
To promote the album, Lovato embarked on their concert tour, Demi Lovato: Alive in Concert. The tour began on June 21, 2009, in Hartford, Connecticut and previewed new songs from Here Nosotros Get Again, including "Remember Dec", "Stop the Earth" and "U Got Nothin' on Me".[53] It was confirmed on Apr 15, 2009, that David Archuleta would serve as the tour's opening act, with songstress Jordan Pruitt and girl group KSM joining on select dates.[54] Lovato announced the collaboration with Archuleta on their Myspace web log, where they also wrote, "I'k then excited about headlining my own bout. I love life on the road. I'm in a unlike metropolis every night, and it never gets quondam."[54] Tickets for the tour went on sale on April 25, 2009, but a special pre-sale offering was fabricated available through Lovato's newly launched official fan society on Apr 15.[55] The tour was produced by AEG Live and sponsored by AT&T and Choice Hotels.[56]
Singles [edit]
"Here We Go Again" was released as the album'southward pb single on June 23, 2009, via digital download.[57] The song made its debut at number 59 on the Billboard Hot 100 and managed to tiptop at number 15, becoming Lovato's highest peaking solo single at the time.[58] Elsewhere, the song peaked at number 68 on the Canadian Hot 100 and 38 in New Zealand.[59] Critical reception of the vocal was generally positive, with critics comparing information technology to Kelly Clarkson.[i] [27] [28] The music video was directed by Brendan Malloy and Tim Wheeler.[60] The vocal has sold over 820,000 copies and was certified Platinum in the United states.[61]
"Remember December" was released on January xviii, 2010, only in Europe, as the second and final single from the album. Information technology wasn't released in Due north America. The song peaked at number 80 on the UK Singles Chart and received more often than not positive reviews from critics, who praised its hook and chorus.[1] [three] [62] "Remember December" was directed by Tim Wheeler and features guest appearances from Lovato's female person co-stars in their upcoming television set picture show Campsite Rock 2: The Final Jam. Instead of having a love interest in the video, Lovato chose to give it a daughter empowerment theme, saying that it is near "beingness fierce" and "taking control as a girl".[24]
Track list [edit]
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 1. | "Here We Go Again" |
| SuperSpy | three:46 |
| ii. | "Solo" |
| John Fields | 3:xv |
| three. | "U Got Nothin' on Me" |
| SuperSpy | 3:38 |
| 4. | "Falling Over Me" |
| Fields | 4:06 |
| 5. | "Tranquility" |
| Fields | 2:45 |
| six. | "Catch Me" | Lovato | Fields | 3:x |
| 7. | "Every Fourth dimension Yous Lie" |
| Fields | 3:49 |
| 8. | "Got Dynamite" |
| Clark | 3:25 |
| 9. | "Terminate the World" |
| Fields | iii:34 |
| 10. | "World of Chances" |
| Fields | two:51 |
| 11. | "Think Dec" |
| Fields | iii:12 |
| 12. | "Everything You're Not" |
| Fields | 3:43 |
| 13. | "Gift of a Friend" (Bonus Rails) |
|
| 3:25 |
| xiv. | "And then Far, And so Dandy" (Bonus Track) |
|
| two:fifteen |
| Total length: | 46:50 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 15. | "Don't Forget" |
|
| iii:43 |
| 16. | "La La Land" |
|
| 3:sixteen |
| Total length: | 53:49 | |||
| No. | Championship | Writer(s) | {{{extra_column}}} | Length |
|---|---|---|---|---|
| 15. | "Here We Become Again" (Dusk in Ibiza Remix) |
| SuperSpy | four:23 |
| No. | Title | Length |
|---|---|---|
| 16. | "Here We Go Once again" (music video) | |
| 17. | "Hither We Go Again" (live performance at Wembley Arena) | |
| 18. | "Recall Dec" (music video) | |
| 19. | "Making of Think December" |
| No. | Championship | Length |
|---|---|---|
| 1. | "La La State" | |
| 2. | "Become Back" | |
| iii. | "Don't Forget" | |
| iv. | "Here We Get Again" | |
| 5. | "Trainwreck" | |
| 6. | "Until You're Mine" | |
| 7. | "Two Worlds Collide" | |
| eight. | "Call up December" | |
| ix. | "Party" |
Sampling credits
- "Got Dynamite" contains acoustic drum samples from Geoff Dugmore'southward "Roughshod Beats" from Zero-G.[20]
Credits and personnel [edit]
Credits for Here We Go Again are adapted from the anthology's liner notes.[twenty]
- Demi Lovato – pb vocals, piano, guitar
- Aris Archontis – producer, mixing
- Tommy Barbarella – synthesizer
- Michael Bland – drums, programming
- Ken Chastain – percussion, programming
- Daphne Chen – violin
- Lauren Chipman – viola
- Gary Clark – producer, instruments, programming
- Bob Clearmountain – mixing
- Mathew Cooker – cello
- Jason Coons – engineer
- Dorian Crozier – engineer, drums
- Andy Dodd – producer
- Richard Dodd – cello
- Geoff Dugmore – drums
- John Fields – producer, drums, bass guitar, keyboards, mixing, percussion, programming, background vocals
- Mher Filian – keyboards, programming
- Nikki Flores – background vocals
- Eric Gorfain – violin
- Paul David Hager – mixing
- Isaac Hasson – programming, synthesizer
- Nick Jonas – guitars, drums, background vocals
- Chris Lord-Alge – mixing
- Stephen Lu – cord arranger, conductor, string
- Jeannie Lurie – producer
- John Mayer – guitars
- Jon McLaughlin – piano, synthesizer, background vocals
- Steven Miller – engineer
- Chen Neeman – producer
- Sheryl Nields – photography
- Will Owsley – guitar, synthesizer, background vocals
- Radu Pieptea – violin
- Wes Precourt – violin
- Lindy Robbins – background vocals
- David Sage – viola
- Simon Sampath-Kumar – engineer
- David Snow – artistic management
- SuperSpy – producers, engineers
- Gavin Taylor – art management, pattern
- Jesse Owen Astin - Guitars
- Adam Watts – producer
Awards and nominations [edit]
| Year | Honor | Category | Result |
|---|---|---|---|
| 2010 | Teen Choice Awards | "Choice Pop Album" | Nominated |
Charts [edit]
Certifications [edit]
Release history [edit]
See likewise [edit]
- Listing of Billboard 200 number-one albums of 2009
References [edit]
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- ^ a b "Here Nosotros Go Again Anthology Review". Plugged In. Archived from the original on Dec 23, 2015. Retrieved December 27, 2015.
- ^ a b c d e f g h i Erlewine, Stephen Thomas. "Here Nosotros Become Again – Demi Lovato". Allmusic. Rovi Corporation. Retrieved Oct 9, 2011.
- ^ "Demi Lovato". PopMatters. Archived from the original on October 7, 2015. Retrieved August 29, 2015.
- ^ Lynch, Joe. "Solo Artists Who Scored a No. i Album Earlier Turning 18". Billboard . Retrieved May 23, 2021.
- ^ a b "Ask Billboard: Demi Lovato'south Career Album & Vocal Sales". Billboard. October xv, 2017. Archived from the original on Oct 15, 2017. Retrieved October 15, 2017.
- ^ a b c d e f g h i j Caramanica, Jon (July xv, 2009). "Tween Princess, Tweaked". The New York Times. Archived from the original on March 15, 2013. Retrieved Oct 9, 2011.
- ^ a b c d Moser, John J. (June 22, 2009). "Disney singing awareness Demi Lovato ready for new album, offset tour every bit headliner". The Victoria Advocate. Victoria Advocate Publishing Co. Archived from the original on Baronial eighteen, 2013. Retrieved July 20, 2011.
- ^ Donahue, Amy (June 15, 2008). "Jonas Brothers thrilling tweens". Reuters Group Limited. Archived from the original on October 21, 2012. Retrieved October 9, 2011.
- ^ Harris, Chris (August 28, 2008). "Demi Lovato Calls On Jonas Brothers For Assistance With Debut LP, Onstage Tumble". MTV News. Viacom. Archived from the original on December 1, 2011. Retrieved October 9, 2011.
- ^ Harris, Chris (October one, 2008). "Metallica Are #1 For Tertiary Week In A Row, As Death Magnetic Nears Meg-Sold Marker". MTV News. Viacom. Archived from the original on November 7, 2012. Retrieved October 9, 2011.
- ^ "Demi Lovato - Gilded & Platinum". Recording Industry Association of America. Archived from the original on Jan 7, 2016. Retrieved January xiii, 2016.
- ^ a b Vena, Jocelyn (January 27, 2009). "Demi Lovato Looking To Take 'John Mayer-ish' Songs On New Album". MTV News. Viacom. Archived from the original on August 5, 2011. Retrieved October 9, 2011.
- ^ a b Reynolds, Chas (May 1, 2009). "Interview: Demi Lovato". Artistdirect. Rogue Digital. Archived from the original on Oct 29, 2013. Retrieved Oct nine, 2011.
- ^ a b c d e f g Farber, Jim (June 20, 2009). "Demi Lovato mellows out with 'Here We Go Again'". New York Daily News. Mortimer Zuckerman. Archived from the original on June 26, 2009. Retrieved October 9, 2011.
- ^ a b c d e f Vena, Jocelyn (July 21, 2009). "Demi Lovato Gets Personal On Here Nosotros Go Again". MTV News. Viacom. Archived from the original on December 22, 2011. Retrieved October ix, 2011.
- ^ a b "Demi Lovato shows mature side on new CD". The Repository. GateHouse Media. Associated Press. July 29, 2009. Archived from the original on August 8, 2009. Retrieved December 18, 2011.
- ^ a b c d due east f Axelrod, Nick (July 1, 2009). "Tween Queen: The Ascent of Demi Lovato". Women'southward Habiliment Daily. Fairchild Fashion Group. Archived from the original on January 29, 2012. Retrieved October x, 2011.
- ^ a b Kaufman, Amy (September 23, 2011). "Demi Lovato'south rebirth". Los Angeles Times. Archived from the original on December 31, 2011. Retrieved Oct 8, 2011.
- ^ a b c Hither We Go Again (CD). Demi Lovato. Hollywood. 2009. D000349302.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b c d e f g h i j m Holz, Adam R. "Here We Become Again". Plugged In. Focus on the Family. Archived from the original on April 4, 2012. Retrieved October 9, 2011.
- ^ a b c d Vozick-Levinson, Simon (July xv, 2009). "Hither We Go Again Review". Entertainment Weekly. Time Warner. Archived from the original on October xiv, 2012. Retrieved October 9, 2011.
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Source: https://en.wikipedia.org/wiki/Here_We_Go_Again_%28Demi_Lovato_album%29
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